Rites of
Passage
by William Golding (not to be confused with William Goldman, author of The Princess Bride) is yet another
Booker-winning novel set on the water. I was excited to read this first Booker
winner by an author with whom I was already familiar: like everyone else in the
English-speaking world, I’d read The Lord
of the Flies; and because I liked that so much, I read Pincher Martin.
Rites mixes
elements of the two. Like Flies, it creates
a microcosm in isolation, this time on board a ship bound for Australia, rather
than an island, and populated by adults, not children. There is a member of the
nobility, who narrates most of the book in the form of a long journal/letter to
his godfather and sponsor. There is a parson, an artist, a freethinker, a surly
Captain, and various other gentry and commoners. A large part of the book seems
dedicated to making us understand that class and roles are usually meaningless.
Our noble narrator turns out to be a cad, for instance, not above raping a woman
he believes to be a prostitute, without even paying her. He and his “gentlemen”
friends discuss her in a most ungentlemanly manner.
But
like Martin, this book is also a
long, deluded monologue with a twist at the end. I won’t spoil either book for
you. Suffice it to say that when you read the parson’s account, and you notice
him lingering on the glorious beauty of the sailors around him…that’s a hint.
It’s
a meditation on class, justice, and shame, written quite wittily, showing one
crucial event from two drastically different points of view. Rites is the first of a trilogy called To the Ends of the Earth that was made
into a British miniseries starring Benedict Cumberbatch. Perhaps worth watching,
or reading the other two.
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